Kari and Maureen

born on the 25th of March, 1970. Canadian actress. Matchett is originally born in Spalding located in Saskatchewan commenced her theatre career when she relocated to Ontario. At the beginning of the nineties, she started her career on Canadian TV. She then made the move into America. United States and starred in the television series The Secrets of Nero Wolfe Invasion 24 Hours Studio 60 which aired on the Sunset Strip Ambulance Earth. It was the Last Conflict. The actress won the Gemini Award in 2001 for her role as Estelle in the Canadian TV series The Department of Wet Cases. Over the course of several seasons, she played the ex-wife of one of Impact's principal characters. In the TV series Covert Operations, she plays the character Joan Campbell. On the big screen, she was in the 2002 Canadian production Cube 2. Also, she starred in Angel Eyes Boys with Broomsticks The Tree of Life, Boys with Broomsticks, and Hypercube. Divorced. The couple welcomed their son, Jude Lyon Matchett in the month of June in 2013. Maureen O'hara..........................From her first appearances on the stage and screen Maureen O'Hara (b. Attracted the attention of viewers with her stunning red hair, stunning beauty and passionate depictions. Whether she was being saved from death by Charles Laughton (The Hunchback of Notre Dame 1939) falling in love with Walter Pidgeon against a coal-blackened sky (How Green Was My Valley in 1941) becoming a believer in miraculous events through Natalie Wood (Miracle on 34th Street 1947) or sharing wits in a duel with John Wayne (The Quiet Man 1952) she charmed audiences by her charismatic presence and confident manner. Maureen O'Hara was the first biographical work about the screen icon, known as the Queen of Technicolor. Following the star from her youth in Dublin to the height of fame in Hollywood movie critic Aubrey Malone draws on new details of the Irish Film Institute production notes from films and details from historical film journals as well as fan magazines and newspapers. Malone is also a bit more in-depth about her relationship with frequent co-star John Wayne and her relationship with director John Ford and he addresses the much-discussed issue of whether or not the screen diva was a feminist or antifeminist persona. O'Hara, though an icon of the golden age of cinema remains a mystery due to of her tendency to be in private, and also her statements that contradict her own personal beliefs. This groundbreaking biography gives the first look at the woman behind the larger-than-life persona sorting through the myths to present a balanced assessment that of one the greatest stars of the silver screen.